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1962 Abstract print, Maurice Esteve, Mid-Century, framed art, French, vintage
  • 1962 Abstract print, Maurice Esteve, Mid-Century, framed art, French, vintage
  • 1962 Abstract print, Maurice Esteve, Mid-Century, framed art, French, vintage
  • 1962 Abstract print, Maurice Esteve, Mid-Century, framed art, French, vintage
  • 1962 Abstract print, Maurice Esteve, Mid-Century, framed art, French, vintage
  • 1962 Abstract print, Maurice Esteve, Mid-Century, framed art, French, vintage
  • 1962 Abstract print, Maurice Esteve, Mid-Century, framed art, French, vintage
  • 1962 Abstract print, Maurice Esteve, Mid-Century, framed art, French, vintage
  • 1962 Abstract print, Maurice Esteve, Mid-Century, framed art, French, vintage
  • 1962 Abstract print, Maurice Esteve, Mid-Century, framed art, French, vintage
  • 1962 Abstract print, Maurice Esteve, Mid-Century, framed art, French, vintage
  • 1962 Abstract print, Maurice Esteve, Mid-Century, framed art, French, vintage
  • 1962 Abstract print, Maurice Esteve, Mid-Century, framed art, French, vintage
  • 1962 Abstract print, Maurice Esteve, Mid-Century, framed art, French, vintage
  • 1962 Abstract print, Maurice Esteve, Mid-Century, framed art, French, vintage
1962 Abstract print, Maurice Esteve, Mid-Century, framed art, French, vintage

1962 Abstract print, Maurice Esteve, Mid-Century, framed art, French, vintage

$225.00

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Authentic 1962 (63 years old) quality colour print after Maurice Esteve’s ‘Jeune Fille’. Striking abstract mid-century piece in excellent condition, professionally framed with simple lightly gilded wood and double mount behind glass. Excellent condition.

44cm x 33cm frame

29cm x 20cm artwork

“MAURICE ESTEVE (1904-2001), was a French painter. Estève was largely self-educated, having only attended the free studio of the Académie Colarossi in 1924, where he tried to constructively implement of his motifs according to the model of Georges Braque and Fernand Léger, thus creating a kind of Cubist Fauvism. Estève began to move away from realism in 1928, and was influenced in the following years by Léger, Matisse, Picasso, and Bonnard. Maurice Estève took part in the Venice Biennale in 1954. His œuvre, just like the works of his art colleagues Riopelle and Bazaine, established a new pictorial language: Lyrical abstractions with the aim of depicting form and color with an almost poetic attitude. His works have established themselves in many well-known museums and collections around the world."

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